Friday, April 27, 2007

Civil Disturbances in the 70s






























John Price
writes:
I remember hearing about the time John Greensmith was looking for a reported uprising in Southeast SD. This was during the days when riots and violent demonstrations were fairly common in LA but had not become de rigueur in SD. As I remember the story, it was while he was on the car radio asking for better directions to where the disturbance was reported to be, that he came up over a hill somewhere around Imperial Avenue and found himself smack in the middle of a wall to wall convocation of Black Panthers, Symbionese Liberation Army supporters and other assorted groups blocking the entire street. One can only imagine what they must have thought as a tall, bald, white guy calmly drove a red and white UT photo car into their midst. I recall what John said HE thought, and which he allowed he may have impulsively expressed over the radio in spite of FCC regulations. He also managed to burn two black stripes on the pavement, going backwards up the hill and getting out of there before the crowd had a chance to take care of Whitey, (a term of endearment used by the angry black community at the time and which would probably be called the "W word" in our enlightened culture today) And that is a remarkable thing to do in a Corvair!


Jack Reber replied:
John: I hate to pass up a good story, but I think I will skip this one. I'm concerned there will be people asking why he turned tail. He was looking for these groups, and he found them, and so the question arises as to why he didn't park his car, get out and start taking photos.
I remember John very well. For some reason, he and I seemed to work together a lot. He was a great person to be around as well as a heck of a photographer. Just a good friend.

John Price writes:

Valid questions Jack.

You are probably right about not including the story. It was a different time then and we have hopefully moved past that kind of thing. That story raises no question of John's judgement or professionalism. It was a lighthearted look at what could have been a very serious situation. It literally could have been a matter of survival when he unexpectedly found himself isolated in very hostile circumstances. There was, and is, no doubt in my mind that if he had stopped he could have easily landed in the next day's police reports, having had the living crap beat out of him ...or worse... by a mob. I am sure John regrouped and covered whatever happened in the professional way he always did. It was simply not very wise for a street photographer to get very far ahead of the police or National Guard lines in that kind of situation. If you remember, those were not gentle times with nice folks out for a little diversion in the sun. They were times when angry "militants" were frequently looking for blood. Any one or any thing connected to "the establishment" was a prime target for destruction and the Copley name was a flag-bearer for The Establishment.

I found myself in that position a time or two and it was frightening. Once was in Horton Plaza, just across the street from 919. The place was jammed by several thousand demonstrators of every kind, there for any number of reasons. Every policeman the department could put on the street was in full riot gear, with standard helmets and face shields, and lined up at both ends of the plaza. I suddenly found myself isolated in the midst of the crowd... near the fountain... in my sport coat, clean shirt and tie... and was jammed up against a large biker-hippie type (I know that is a non-sequitur, bikers hated hippies!) who was definitely not wearing a suit or carrying a briefcase. He said something like: "You better get out of here NOW, Whitey! We are going to bust somebody up because of what the cops did to Willie last night and if you are still here when we do, I will smash that damn camera over your head."

I got my pictures and nobody got beat up... that I know of, but I was right to have taken the threat very seriously.

Unrelated, but similar, was the time Jerry Windle and I were covering a Rolling Stones concert from the outside. There had been a huge number of counterfeit tickets sold and hundreds of fans, many with legitimate tickets, were turned away once the Sports Arena was filled. They were unhappy. The fans got rowdy and started throwing rocks. The police set up barricades and started arresting people. Jerry was in the thick of it when a big rock came flying out of the dark and smashed one of the cameras he had hanging around his neck. There were very real dangers on the street, and we rightfully took them very seriously.

Wednesday, April 25, 2007

How I was deported from Mexico

JERRY WINDLE writes:
The Mexico stories and my recent re-connect with my good photo-buddy John Price, through the 919 gang, reminded me of a story for which I always admired his resourcefulness. He was covering one of the "squatter" sit-ins at Rosarito Beach. He had his photos and saw the Federales heading his way. Somehow, he managed to get the film out of his camera and put in a new roll so when they demanded, at gun point, he surrender his film, he "reluctanbty" agreed and protested a little (role playing so he didn't look suspicious). I often tried to duplicate that feat just in case I was ever in a similar situation, but could never quite pull it off. Something you might see in the movies but he did it somehow!!!
Photogs always felt a close kinship in the old building with the Trib staffers because the photo lab was "embedded" in the Trib newsroom.

Great story, Jerry. And the public never realizes what photogs go through to bring home the news.

***
Last night, Jerry Windle recalled the time John Price managed to slip the film out of his camera and insert a blank roll seconds before the federales told him to hand over his film.

JOHN PRICE writes:
I had forgotten that incident at the border Jerry Windle told about. I admit it may sound a little juvenile, but I really did practice changing film and lenses without looking, just in case I ever had to.
So the question is, does getting forcibly deported by two Mexican soldados right out of a B-movie, complete with the mirrored sunglasses, starched fatigues and very large rifles, get me considered for the journalistic Hall of Shame? I know I could never hope to compete with trafficking in illegal lobsters, but my mother would have been really embarrassed by what her son had come to. Would that count?

I think the film-palming stunt qualifies you for the photo hall of fame. I know Jerry Windle sounded envious of your talent. I assume the deportation you mention was a separate incident, yes? If so, we'll need more details before we can elevate you to the same high status as the lobster poacher.

Brief bio

I was hired as a photographer for the old San Diego Union and Evening Tribune when the papers were separate and the photo dept worked for either/both. Made for some interesting logistical and political maneuverings in and around the photo lab. Stan Griffin was the head of the department and Charlie Sick was his second in command. I was a photog from 1967 to 1977 so was there during the move to the new building in Mission Valley. I was involved quite heavily in the design and construction of the new photo department but I was always ‘on the street’ as well, so I had the best of both worlds. I apparently suffered from a terminal case of ‘career burn out’ and left the paper in 1977.

I sort of fell into the ship repair business with my brothers in San Diego. I do the design and engineering. We moved the operation “back home” to Idaho Falls, Idaho in 1980. So what is odd about fabricating shipboard equipment in the desert of Idaho? We are still in business together, fabricating furniture and equipment for both the Navy and the Army.

Email: johnhprice@qwest.net
Address: PO Box 357, Iona ID 83427
Phone: 208 523 8090

Ring of Truth Award

So sad to hear that no Pulitzers were awarded to those of the UT persuasion this year. It did remind me of the other brass ring of journalism, slightly less known perhaps, but a gem nonetheless. What ever happened to the Ring of Truth award... also known reverently in 919 circles as the Ding-a-Ling of Truth award? I always thought that it was a marvelously proletary gesture for the brass to give awards for the marvelously vague and often obscure categories up with which (I assume) Paula Kent came. My one and only award was for “Best Photo Promoting the Copley Press” or something like that. I took a huge, group photo of.. .. well, a huge group. The award is a desktop plaque with an actual brass bell sitting on it. Kind of neat. My kids have loved it over the years, joyfully ringing in many a happy occasion or generally annoying their mother with it. The year I received it was the last year they had an actual bell. The next year they just gave a plaque with a picture of a bell on it. That award then became, of course the No Bell Prize. I never got one of those.